Netflix’s ‘The Decameron’: Dark Comedy Meets Medieval Inequality
Strap in, folks, because we’re headed to Italy circa 1348. Leaning into the success of smutty historical series like Bridgerton, Netflix dives back into corset-heavy drama with ‘The Decameron.’ Created by Kathleen Jordan and Jenji Kohan, the show mixes carnal cravings and dark humor. Starring Tony Hale and Tanya Reynolds, this medieval series promises more than just period-appropriate oddities.
Noble Shenanigans and Social Disparity
‘The Decameron’ takes place in a serene Italian villa where nobility hides from the bubonic plague. These upper-crust characters indulge in feasts and gossip to ignore the infectious doom outside. However, beneath the revelry lies a stark portrayal of socio-economic disparity, capturing Jordan’s blend of creativity and historical realism.
A Whiff of the Classics
The series draws inspiration from Giovanni Boccaccio’s 14th-century anthology, ‘The Decameron.’ This classic tells the tale of seven women and three men fleeing plague-ridden Florence. Over ten days, they weave a tapestry of stories, some romantic, others scandalous. Boccaccio balanced moral righteousness and depravity, giving ‘The Decameron’ a refreshingly honest tone.
Reality Bites
Boccaccio’s characters illustrate their frightening socio-political context—Black Death, corrupt officials, and a divided society. His vivid portrayal of 14th-century Florence resonates with contemporary audiences, paralleling today’s societal woes. The narrative of elites escaping crises while common folks suffer hits close to home.
A Tale for Today
Hollywood has often sought inspiration in ‘The Decameron.’ Netflix’s adaptation captures these narratives with modern relevance. Jordan names her characters after their book counterparts and highlights the often overlooked servants, delving into 14th-century inequality. The series masterfully blends history and fantasy, providing sharp social commentary.
‘The Decameron’ premieres on Netflix in the U.S. on July 25. Set your time travel devices, and we’ll see you there.
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