Trans/Non-Binary Entertainment Panel

New York Comic Con’s second day brought a milestone event. For the first time, the “Trans/Non-Binary Entertainment Panel” graced the main stage, moving out from the Pride Lounge. This shift signifies a meaningful leap in inclusivity for the convention scene.

A Diverse Panel of Voices

Moderated by the dynamic Peppermint—known for her breakthrough role in Broadway’s Head Over Heels—the panel featured an eclectic group. Joining her were Yuhua Hamasaki, Murray Hill, Dominique Jackson, and famed Jeopardy! contestant Amy Schneider.

They kicked off with reflections on societal change. Six to ten years ago, trans rights seemed on a steady path forward. Yet, the narrative has shifted dramatically, particularly outside urban centers. For those living in rural areas, the backlash has intensified. Nevertheless, cities remain pockets of comparative acceptance.

Dominique Jackson emphasized political activism’s importance. Increasing discrimination, she argued, partly stems from the trans community’s assertive fight for rights. Her poignant question, “We are under pressure, but how are diamonds made?” resonated with everyone present.

Media Influences and Representation

The discussion moved to media’s role in personal identity. Jackson cited X-Men, sharing how Storm’s strength inspired her. Amy Schneider mentioned Boys Don’t Cry as influential. Meanwhile, Hamasaki offered a unique perspective by highlighting Tarzan—a tale of finding belonging amid adversity.

Hill brought up The Facts of Life while lamenting trans representation in media. He appreciates roles portraying trans men without tragic endings or token struggles. These narratives, he says, foster relatability and normalcy.

Conversely, Jackson noted few productions are trans-led. Trans creators navigate “kindhearted ignorance” within their creative teams—a challenge but also an opportunity for education.

Horror and Inclusivity

Toward the panel’s end, conversation veered into horror. Jackson praised the 1986 film Vamp for Grace Jones’s iconic performance. Hill’s horror favorite is Fright Night, whereas Schneider cited Suspiria. Yuhua Hamasaki lauded Smile, one of the most striking modern horror films.

Audience Interaction and Community Building

As the panel concluded, they opened the floor to audience questions. Peppermint invited all to visit the Pride Lounge for photo ops, autographs, and social connections.

In sum, attending panels like these proves hugely rewarding. The camaraderie and community spirit are contagiously uplifting. Featuring this panel on the main stage marks progress for NYCC and sets a hopeful precedent for other conventions.

For more updates, stay tuned to our NYCC ’24 coverage.